RUNNING TIME & AUDIENCE NOTICE

Night of January 16th has a running time of approximately 2 hours and 30 minutes.

There will be a 10-minute intermission following Act One and a 5-minute pause following Act Two.

Please note: This production contains strobe lighting effects.

TICKETS

October 7–18, 2026 · Theatre Row, NYC

Wednesday, October 7 7:00 PM
Thursday, October 8 7:00 PM
Friday, October 9 8:00 PM
Saturday, October 10 2:00 PM
Saturday, October 10 8:00 PM
Sunday, October 11 3:00 PM
Week Two
Wednesday, October 14 7:00 PM
Thursday, October 15 7:00 PM
Friday, October 16 8:00 PM
Saturday, October 17 2:00 PM
Saturday, October 17 8:00 PM
Sunday, October 18 3:00 PM

DREAMS
BY ZHU & NERO

THE OFFICIAL THEME SONG OF

CAST & CREATIVE

CAST

CHRISTA B. ALLEN

Karen Andre

MARYAM BASIR

District Attorney Flint

HANNAH BEEMER

Lady Justice

DYLAN JOSEPH LEE CATANIA

Siegurd Jundquist

NELSON DEPASQUALE

John Hutchins

MATT DE ROGATIS
Bjorn Faulkner &
"Guts" Regan

JOHN PIGATE

Elmer Sweeney

PRINCE HAMADI

Dr. Kirkland &
James Chandler

JIM KEMPNER

John Graham Whitfield

BETHANY LANZA

Magda Svenson

JOE PANDOSH

Homer Van Fleet

EMILY SLASS

Nancy Lee Faulkner

GARY MARTINS

Defense Attorney Stevens

CREW

THEO DEVANEY

Director & Judge Heath

YICHUN LI

Stage Manager

CHRISTIAN SPECHT

Lighting Designer

ALEXANDRA ROSE

Costume Designer

TOMÁS CALINAO CORREA

Sound Design

NATE RICCIO

Casting Director

JULIANA HANNETT

Press Representative

NEIL & NANCY WEIDNER

Associate Producer

AYN RAND

Author

RUTH STAGE

Producer

ABOUT

On the night of January 16th, financier Bjorn Faulkner falls from the penthouse of his own skyscraper and Karen Andre, his former secretary, lover, and closest confidante, is accused of murder. But the real question is not only whether Karen killed him. It is whether the depth of her love, loyalty, and understanding makes her guilty or the only person capable of telling the truth about who Bjorn really was.

To Karen, Bjorn was not simply a corrupt tycoon or reckless seducer, but a man of terrifying vitality: brilliant, dangerous, wounded, and larger than the world that sought to condemn him. As witnesses attempt to reduce him to scandal, fraud, or victim, Karen’s memory of Bjorn becomes both her defence and her undoing.

Ruth Stage's production reimagines Ayn Rand’s courtroom thriller as a bold, heightened descent into a dark, purgatorial parallel reality. Karen is placed not only on legal trial, but on spiritual and psychological trial, pursued by desire, guilt, memory, and threatening forces beyond the visible world. And in the play’s most thrilling device, the audience itself becomes the jury; drawn into the trial, implicated in the verdict, and forced to decide what kind of truth they believe.

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PRESS

Photos: First Look at THE NIGHT OF JANUARY 16TH at Ruth Stage

Meet Maryam Basir: Off-Broadway’s New Kind of Triple Threat

Christa B. Allen to Join the Cast of NIGHT OF JANUARY 16TH Off-Broadway